The Ragroof Players create site-specific and street theatre shows, community engaged and participatory performance projects, and bespoke events and commissions. The Ragroof Players’ four co-directors – Marion Duggan, Ivan Fabrega, Dorothy Max Prior, and Matthew Blacklock – first worked together as members of Ragroof Theatre (founded by Luan Blake), which was dissolved in 2013 following ten years of success.
Ragroof’s work is usually placed outside of theatres and arts spaces, and challenges restricted and outmoded expectations of ‘community and participatory arts’. When we venture into dedicated art/theatre spaces, it iswith the intention of bringing people into those spaces who would not usually be found there. Accessibility, integration and participation are not an‘outreach’ aspect of our work – they are our work.
MARION DUGGAN is an artist, performer and co-director of The Ragroof Players, and was also a founding member of Ragroof Theatre. Marion’s interests lie in widening opportunities for people to engage in the arts. Often her work will involve in-depth research with communities, focusing on building and maintaining relationships. She has researched and developed oral history and reminiscence interview techniques, and using verbatim text in the devising processes. Marion takes great pride in the community that has built up through the Ragroof Tea Dances and is passionate about the shared experience of partner dancing and its preservation. She directs Bridges y Puentes, developing a new performance language for site-responsive, promenade performances. She devised and performed with Ragroof Theatre in Make Do and Mend and Shall We Dance? Encore! and was performance director for Gloves On.
Marion is on the board of directors for Clown Without Borders UK, she has fundraised and toured to Zimbabwe, India and Greek Refugee camps with the charity, providing psycho-social first aid to children living in crisis situations. Other work involves stage-management, and company management for The Ragroof Players and Red Herring Productions. She has trained in ensemble with Complicite, clown with Angela De Castro, Gerry Flanagan and Mick Barnfather, and storytelling at Emerson College.
MATTHEW BLACKLOCK is a co-director of The Ragroof Players He is currently leading on the companies latest project called Happy Feet, 100 years of dance crazes in 100 minutes. Matthew is committed to creating theatre with the aim of bringing people together, giving his audiences a sense of belonging to a community through a shared experience.
Matthew has previously worked at Theatre Royal Stratford East as an assistant director and trained and worked as an actor since graduating from East 15 Acting School in 2002. He has directed a number of fringe productions and has worked as a puppeteer and ballroom and Latin dancer. More recently Matthew created his own company called Dance Floor Activist. Dance Floor Activist is a movement to encourage people to get active and feel great. It's about moving and dancing to feel brilliant. It's about stepping, shimmying strutting your way to happiness. It's about being part of a community dedicated to being active, present and involved. We won't change the world in one big leap by activating the dance floor. But small steps can lead to big changes and to better things.
IVAN FABREGA is a performer, dancer and choreographer. He trained in acrobatics, trapeze, dance and performance skills at the
Circus Space, London; Fool Time, Bristol; and Chalon-sur-Saône, France. He has trained in clown with Gerry Flanagan and Mick Barnfather, and in eccentric dance and Commedia dell’Arte with Barry and Joan Grantham.
Ivan is the co-founder of the following professional companies: High Rise Rubber (est.1991), one of the original stilt/walkabout companies which continues to work to the present day; Martinez & Fabrega, a comedic street theatre company that produced The Bull Circus (2001) and collaborated with French company Cie Provisoir to create The Picturoscope Show (2002); Speakeasy Theatre, who produced The Radio Show (2003/4). Ivan was a co-director of Ragroof Theatre (from 2005) and is currently co-director, actor, dancer and disc jockey with The Ragroof Players. He also currently works with Red Herring Productions, a performance company set up by Paschale Straiton in 2008 to create outdoor theatre performances and installations.
DOROTHY MAX PRIOR has over thirty years experience in the performing arts – from punk-rock drummer to performance artist; ballroom dance teacher to street arts choreographer and site-specific theatre-maker. She has an ongoing interest in social dance,
vaudeville, and popular theatre, and endeavours to both honour and usurp those traditions in her performance work. She is a co-director of The Ragroof Players, working mostly as choreographer/dance teacher and dramaturg.
She creates her own projects under the name Dorothy’s Shoes, with commissioned shows and events for a diverse range of festivals and venues including LIFT/ BR-116, Sacred at Chelsea Theatre, Entre Lugares festival in Rio, Suspense Festival London, Dip Your Toe at Brighton Fringe, and Tenuta dello Scompiglio in Italy. She also works as a freelance dramaturg, choreographer and dance/drama teacher.
Max has an MA in Creative Writing and has trained in mime, physical theatre, clown, and in many forms of dance. Her teaching work has included: National Theatre, Open College of the Arts, University of Brighton, Wimbledon School of Art, Zap Arts, the International Workshop Festival, LUME Teatro Brazil, and many other companies, arts organisations and educational institutions across the UK and abroad.
ANNA SYMES is an actor, dancer and theatre-maker. She studied Theatre with Visual Art at University of Brighton, and on graduating became a key performer, collaborator and co-director of Ragroof Theatre (2003–2013). She trained in Ballet, and specialises in partner dancing: Ballroom, Latin, Swing, Charleston, and Argentine Tango. She is passionately committed to the social connection through dance that transcends language, and to the exploration of different cultures.
Anna continues to perform with The Ragroof Players, and is creative producer of Bridges y Puentes. Currently, she is establishing herself as a solo practitioner and has a keen interest in creating exciting, site-specific dance and theatre work. Now based in the coastal town of Margate, amongst a burgeoning new arts community, she runs regular Tea Dances at Margate's Wintergarden and is producing exciting new theatre work. She also teaches Charleston classes at Morgan’s Vintage Dance Hall in Margate.
Anna performed as Babs in Our Dancing Feet by Zap/Inroads Productions, Queenie in the Ragroof show Shall We Dance?, Irish-born Fiona in Bridges y Puentes, Masha in The Seagull by Carole and Maude Theatre Company, and worked as visual director on the Ragroof Theatre production Gloves On.
AILA FLOYD is a dancer, choreographer and director of the internationally renowned flapper troupe, The Bee’s Knees. The troupe have performed all over the world including a number of appearances at the Venice carnival, as well as featuring on TV shows, including Paul O’Grady (C4), Endeavour (ITV), and the pilot episode of Nina Conti’s VaVaVariety show (BBC).
A Lindy Hop champion with her dance partner Richard Pucci (ESDC 2013), she continues to dance and teach in London, where she first developed a passion for Swing dancing over 10 years ago. She has featured in music videos for George Michael and KT Tunstall; as a magician’s assistant for Scott Penrose (President of the Magic circle), appearing on The Magicians (BBC); and as a quick-change consultant for TV drama London Spy (BBC). Aila’s passion for performance has lead her to study theatre and clown with many influential teachers: Phillipe Gaulier, Avner the Eccentric, Spymonkey and Jonathan Kay, also picking up Eccentric Dance from the legendary Joan and Barry Grantham.
Aila met several of the Ragroof Players while studying for her degree in Dance and Visual Arts at University of Brighton, and she now regularly dances, teaches and DJs at Ragroof Tea Dances; choreographed several of the company’s Swing, Jazz and Charleston routines; and appeared as an actor-dancer in the company’s street theatre show Shall We Dance?